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کتاب رمان انگلیسی Under the Net نوشته آیریس مرداک (Iris Murdoch)

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epub
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انگلیسی
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۲۰,۰۰۰ تومان
"سبک این داستان کمیک طنز است و درباره ی کار ، عشق ، ثروت و شهرت شخصیت اصلی این داستان که جیک دوناگو نام دارد می پردازد. جیک به دنبال بهبود شرایط خود و جبران اشتباهات گذشته ، دوباره با آشنایی قدیمی به اسم هوگو بلفوندر که یک فیلسوف نرم گفتار است ، ارتباط برقرار می کند." در سال ۲۰۰۵ ، این رمان توسط مجله تایم به عنوان یکی از صد رمان برتر زبان انگلیسی از سال ۱۹۲۳ تا کنون انتخاب شد. سردبیران " کتابخانه مدرن" این اثر را یکی از برترین رمان های انگلیسی قرن بیستم معرفی کرده اند.

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آیریس مرداک

Iris Murdoch


دانلود کتاب رمان انگلیسی Under the Net نوشته آیریس مرداک


درباره کتاب رمان انگلیسی Under the Net اثر آیریس مرداک:

“سبک این داستان کمیک طنز است و درباره ی کار ، عشق ، ثروت و شهرت شخصیت اصلی این داستان که جیک دوناگو نام دارد می پردازد.

جیک به دنبال بهبود شرایط خود و جبران اشتباهات گذشته ، دوباره با آشنایی قدیمی به اسم هوگو بلفوندر که یک فیلسوف نرم گفتار است ، ارتباط برقرار می کند.”

در سال ۲۰۰۵ ، این رمان توسط مجله تایم به عنوان یکی از صد رمان برتر زبان انگلیسی از سال ۱۹۲۳ تا کنون انتخاب شد. سردبیران ” کتابخانه مدرن” این اثر را یکی از برترین رمان های انگلیسی قرن بیستم معرفی کرده اند.

 


توضیحات کتاب رمان انگلیسی Under the Net اثر آیریس مرداک

 

Under the Net by Iris Murdoch

Jake Donaghue, garrulous artist, meets Hugo Belfounder, silent philosopher.

Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with formidable Hugo, whose ‘philosophy’ he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog, and a political riot in a film-set of ancient Rome. Jake, fascinated, longs to learn Hugo’s secret. Perhaps Hugo’s secret is Hugo himself? Admonished, enlightened, Jake hopes at last to become a real writer.

بخش ها و جملاتی از کتاب رمان انگلیسی Under the Net اثر آیریس مرداک

Under the Net Quotes

“I hate solitude, but I’m afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It’s already hard enough to tell the truth to oneself.”

“For most of us, for almost all of us, truth can be attained, if at all, only in silence. It is in silence that the human spirit touches the divine.”

“When does one ever know a human being? Perhaps only after one has realized the impossibility of knowledge and renounced the desire for it and finally ceased to feel even the need of it. But then what one achieves is no longer knowledge, it is simply a kind of co-existence; and this too is one of the guises of love.”

“All the time when I speak to you, even now, I’m saying not precisely what I think, but what will impress you and make you respond. That’s so even between us – and how much more it’s so where there are stronger motives for deception. In fact, one’s so used to this one hardly sees it. The whole language is a machine for making falsehoods.”
― Iris Murdoch, Under the Net

“Events stream past us like these crowds and the face of each is seen only for a minute. What is urgent is not urgent for ever but only ephemerally. All work and all love, the search for wealth and fame, the search for truth, like itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future.

So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.”


“I took a deep breath, however, and followed my rule of never speaking frankly to women in moments of emotion. No good ever comes of this.”

“So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.”

“Hegel says that Truth is a great word and the thing is greater still. With Dave we never seemed to get past the word.”
― Iris Murdoch, Under the Net

“I remember a conversation which we had once about translating. Hugo knew nothing about translating, but when he learnt that I was a translator he wanted to know what it was like. I remember him going on and on, asking questions such as: What do you mean when you say that you think the meaning in French? How do you know you’re thinking it in French? If you see a picture in your mind how do you know it’s a French picture? Or is it that you say the French word to yourself? What do you see when you see that the translation is exactly right? Are you imagining what someone else would think, seeing it for the first time? Or is it a kind of feeling? What kind of feeling? Can’t you describe it more closely? And so on and so on, with a fantastic patience. This sometimes became very exasperating. What seemed to me to be the simplest utterance soon became, under the repeated pressure of Hugo’s ‘You mean’, a dark and confused saying of which I no longer myself knew the meaning. The activity of translating, which had seemed the plainest thing in the world, turned out to be an act so complex and extraordinary that it was puzzling to see how any human being could perform it.”

“When the sun was set I might perhaps go to sleep. I never let myself sleep during the day. Daytime sleep is a cursed slumber from which one wakes in despair. The sun will not tolerate it. If he can he will pry under your eyelids and prise them apart; and if you hang black curtains at your windows he will lay siege to your room until it is so stifling that at last you stagger with staring eyes to the window and tear back the curtains to see that most terrible of sights, the broad daylight outside a room where you have been sleeping.”

“The next day round about ten o’clock I was walking down Welbeck Street. I was in a bad temper. By daylight the whole project seemed very much less attractive. I felt that to be snubbed by a film star would put me in a bad state of mind for months. But I regarded the matter as something which had been decided and which now simply had to be carried out. I often use this method for deciding difficult cases. In stage one I entertain the thing purely as a hypothesis, and in stage two I count my stage one thinking as a fixed decision on which there is no going back. I recommend this technique to any of you who are not good at making decisions.”

“When I’m up to something I find it very hard to realize that I probably look no different from the way I look on other occasions.”
― Iris Murdoch, Under the Net

“What is more tormenting than a meeting after a long time, when all the words fall to the ground like dead things, and the spirit that should animate them floats disembodied in the air? We both felt its presence.”

“My personal peculiarities could not offend her since she was totally uninterested in my pretensions to be a person.”

“I had better spend the day quietly, sleep in the afternoon perhaps, and then start again hunting for Hugo. I would have much preferred to look for Anna. But I had no idea now where to start looking. Also I wanted to lay quickly to rest the terrible suspicion that where I found Hugo now I would also find Anna. This 

“There are special nightmares for the daytime sleeper: little nervous dreams tossed into some brief restless moments of unconsciousness and breaking through the surface of the mind to become confused at once with the horror of some waking vision. Such are these awakenings, like an awakening in the grave, when one opens one’s eyes, stretched out rigid with clenched hands, waiting for some misery to declare itself; but for a long time it lies to suffocation upon the chest and utters no word.”
― Iris Murdoch, Under the Net

“The next day round about ten o’clock I was walking down Welbeck Street. I was in a bad temper. By daylight the whole project seemed very much less attractive. I felt that to be snubbed by a film star would put me in a bad state of mind for months. But I regarded the matter as something which had been decided and which now simply had to be carried out. I often used this method for deciding difficult cases. In stage one I entertain the thing purely as a hypothesis, and in stage two I count my stage one thinking as a fixed decision on which there is no going back. I recommend this technique to any of you who are not good at making decisions.”


“The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction.”


“The police moved us on at about six a.m. This is the hour when, for some reason, one begins to be a menace to law and order.”


“The Hospital was deserted, yet strangely alive. I could hear it purring and murmuring like a sleeping beast, and even when at times there came as it were a wave of silence I could still sense within it its great heart beating.”
― Iris Murdoch, Under the Net


“This talk of love means very little. Love is not a feeling. It can be tested. Love is action, it is silence. It’s not the emotional straining and scheming for possession that you used to think it was.”


“All work and all love, the search for wealth and fame, the search for truth, life itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future. So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop chop that ends all our moments and plunges that spirit back into the void from which it came.”


“All, all of a piece throughout: Thy Chase had a Beast in view: Thy Wars brought nothing about; Thy Lovers were all untrue. ’Tis well an Old Age is out, And time to begin a New. DRYDEN: THE SECULAR MASQUE”


“To anyone who will take the trouble to become attached to her she will immediately give a devoted, generous, imaginative and completely uncapricious attention, which is still a calculated avoidance of self-surrender. This is no doubt another reason why she never went into films; her private life must be an almost full-time activity. This has the sad result too that her existence is one long act of disloyalty; and when I knew her she was constantly involved in secrecy and lying in order to conceal from each of her friends the fact that she was so closely bound to all the others.”
― Iris Murdoch, Under the Net

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کتاب رمان انگلیسی Under the Net نوشته آیریس مرداک (Iris Murdoch)

۲۰,۰۰۰ تومان